Dennis Polkow – Chicago Classical Review

“Areyzaga’s upbeat and sterling soprano in Was Gott tut, das ist wohlgaten from BWV 100 set up a delightfully florid flute obligato. . . Areyzaga’s shining moment came with Schubert’s Der Hirt auf dem Felsen (D. 965), which had her poignantly setting up a call and response antiphon with Garcia-Montoya’s clarinet mournfully echoing her melancholy.”

—Dennis Polkow – Chicago Classical Review, Feb. 23, 2010 (Soloist with The Chicago Ensemble)