Clarke Bustard – Richmond Times-Dispatch

Saturday’s performance was paced by the stentorian yet lyrical vocalizations of bass-baritone Kevin Deas, notably in Whitman’s “Reconciliation,” the chorus’s finely detailed treatment of the elaborate closing biblical sequence and the orchestra and chorus at full tilt in Whitman’s “Beat! beat! drums.”

Soprano Michelle Areyzaga brought restrained passion, and welcome gradations of expression, in her role as a lone, pleading voice in recurring recitations of the “Dona nobis pacem” chant.